Denver: Interesting Intersections

What do Wittgenstein and the Hula Dance have in common? Not much, actually. That’s the point of Mixed Tastes: Tag Team Lectures on Unrelated Topics.  “Culture has expertise in all its forms,” says Adam Lerner, director and chief animator of the Museum of Contemporary Art in Denver.  He seeks out people who know things and arranges them in unexpected pairs.

After the meeting at MCA, I stopped at Art+Anthropology, then went on to lunch at an organic cafe attached to an old taxi hub turned mixed-used creative complex.  My afternoon visit to the RINO Cultural District included a tomato farm tucked in between railyard warehouses. “Industrial nature,” is how local artist-entrepreneur Tracy Weil described it.  Interesting intersections between people and places were at happily play throughout Denver.

It’s not surprising that creative types would find new ways to work together, indeed they always do.  What struck me about Denver was how pleasantly they were going about it.  Friendly competition had gone one step further into citywide collaboration, and these interactions defined a new standard for how the creative industries operate.

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Anne L'Ecuyer

Anne is a strategist, facilitator and consultant who stays closely connected to an international network of city leaders, cultural professionals, and individual artists. She is an expert in the creative industries and cultural tourism in the United States, as well as the contributions of the arts toward educational, social, and environmental goals.

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