I opened LinkedIn to scroll a bit while waiting for Dad to return from the senior center. Excited to see that a close colleague had written an important piece, I clicked in to read. I expected fierce commitment to cause and profound challenge to dominant power. I did not expect to find my own words briefly quoted out of context, turned back in a sideways slant.
We had been in professional conversation for several years, but something was rudely amiss, so I immediately paused our weekly meetings. We were in a relationship tangle that needed release, not pull. I felt mansplained, masked, and a mean stroke coming toward me from a person I admire. Time and self-inquiry would help me know better how to respond.
I read the essay a few times more, especially focused on what made sense to me and aligned with our conversations. Nearly all of it, but a few undignifying tropes were tucked in a throw-away paragraph. ‘Naive’ appeared thoughtlessly as a critique of change-oriented strategies. A scarcity mindset that doubles down on scarcity is a mental racket. Also obvious, framing an ‘other’ as a fool or foil.
It seemed my colleague hadn’t taken in much of what I had said. Years of deliberation and a whole social philosophy fit blithely into a few dismissive sentences. I understood it as an editorial error, too – a paragraph to either expand or drop.
I know this critique pretty well. Each time I dutifully ask myself, what part of my perspective is naive? How do I support a logic of abundance? What does it mean to be a white person committed to humane liberation yet awash in social brutality, in my own family history, among communities, and in the world? Not always enjoyable inquiries, but fruitful. Over the years, I have studied the roots of my own leadership, unpicked them, and developed more productive frameworks and methods to use and share with others.
My aim today is to gently peel back layers of this recent experience to find my own guidance. I’m right about something, not everything. How might I reconnect to the grounded theories and stable practices of emergent, abundant, and appreciative work? Especially now when the either/or universe is coming down hard on those in charge. How can I stay centered in enduring love and protect the spaces of possibility? Tenderly, how do I relate to a beloved who hears my words as pablum, if at all.
Leading together through a humane process involves heart, mind, body, and spirit. Recognizing the time-limited nature of our work, we also notice how time operates differently in all our lives. We are each leaders at the table, bringing a complex of characteristics deeply woven by personal, social, and professional experiences. We bring our own current circumstances and personal dilemmas, too. Drawing on strengths and teasing out opportunities, we work ourselves into social fabrics sturdy enough to hold joys and burdens collectively.
It is ongoing, complicated work for anti-racist leaders. We must act every day in ways that degrade systemic racism or grapple with the psychological and emotional grief of voice silence and choice denial. Creative leaders, in particular, are tasked with the urgency of now. Our visions and values are so sharp against the neglect, abuse, and horror in the world. Often, our deepest motivations are ancestral; given to us to be made real again in our lives now. To embody our work, we stay culturally-rooted, emotionally open, oriented to action, and available to change. Leaders with such vision and power are themselves reckoning forces.
Also, the job calls for grace and patience among people and circumstances that evolve over time, no matter our demands and according powers well beyond direct influence. For me, it has always been a choice to engage and build trust equity among the circles of love that are constantly conspiring to heal the godforsaken spaces where we humans malign life. Yes, the charge to the trust bank is arguably too high when the debt is held in the heart of a jackass. I overspend consistently when I am the jackass, or they are a friend.
Both/and circumstances are exceedingly uncomfortable when cultural changes are afoot. These sacred centers of overlapping work demand mutual devotion to retain their creative tensions. Our ancestors are fulfilled in our ambiguous and ambitious efforts today. Opportunities hard won before us actually belong to our children. Sad sacks, we are left with only what is ours to do in these days. Never everything, but we do have the air we share.
Category: Uncategorized
The Economy of Favors
Long before I cared at all about global value exchange, I was passionately concerned with others’ happiness.
I collected stickers that other kids liked, gleefully waiting for the playground trading floor that opened up spontaneously between jax tournaments. My trapper keeper notebook came away looking ragged. Satisfyingly so, as I had deftly distributed the very best stickers I could find for those I knew would love them. These were amusing entanglements among mates in the quest for puff, sparkle, and shazaam! I loved the stickers for their design and dazzle, and I liked giving them away even more.
Now I keep an eye out for busy colleagues who need a grocery drop-off. I aim for an unexpected gift when stuck in the mud of love. I pull dissertation committees down from hot, high air. A draft memo to a circle of colleagues may deliver only two ounces of understanding. Perhaps meant to go unpublished, but it can’t be unwritten.
With a measure of my career in the rear view, I can see the pattern clearly. There are certain operators (I am one) who utilize commonplace principles like ‘pay it forward’ to precede and preset conditions for all sorts of value generation – personal, social, educational, cultural, environmental, and yes, economic.
Like my forbears, I trade in social tender. I move stickers, share burden through fractional householding, and provide dedicated defense lines for cultural workers. I have been described as the person you call when no one else responds. The potent values produced in my work are expressed in others’ progress, well beyond my own expertise or control. My best investments rarely appear in revenue projections or on balance sheets, despite these conditions being essential to operations and long-term equity.
I put appreciation, curiosity, and joy into an amalgam of shared silence, listening, and careful inquiry. I get my reward in warm text updates and hand-written thank you cards after a big transition or transformation. What happens next keeps me in professional awe.
Washington Writer’s Retreat is an example of my efforts to blend generosity into the value exchange of an enterprise, not just a practice I do in other parts of life. I wanted to test an economic theory that it was possible to deal transactionally with non-negotiable values in a way that generated novel resources in predictable and unpredictable ways.
It mattered that I opened my own home to research scholars without much regard for the costs; whatever they could comfortably afford. Simply saying so made room for quieter conversations that always guided us closer to getting the most out of a stay.
I listened as deeper intentions were revealed through progress. That often led to critical breakthroughs, or sometimes a crushing rupture. Hosting the retreat was an effort to feed and comfort people who were furiously proposal-ing to great consequence. NSF grants flew out the digitals windows with my cats contentedly lap-napping. Three babies appeared while all that art and science was also happening.
I can fill volumes with what was necessary for creative work to commence. Coffee, of course, and a pillow upgrade. Windows that opened and temperatures just so. The largest room had red walls. No way for one writer, no matter how big the desk.
One artist couple took over the kitchen with epic relish. Then, they abandoned the greasy worktops to the meticulous lab scientists also in residence. The latter are chosen family, having rescued me from a dozen other mishaps in those days. Their longer stewardship of the retreat let me fall in love with Louise, halfway around the world.
The retreat was contemporary with AirBNB as a fresh business model in the sharing economy, though at a very different scale. I was an early host on the then-new platform that boasted an active DC network, and the only operator focused on longer stays involving writing and research. VRBO was just getting started as a sabbatical swap. I wanted to host, and serve as an outpost reporter. I managed the house as a creative space in those heady days when experiential and shared economies met with door-opening technologies that changed the global economy forever, most especially in the cultural tourism industries.
In developing the retreat, I also related closely to the many strains of tradition that came before me. I leaned into familial habits of communal cultures, adopting and adapting those many ways that immigrating generations host each other for short study trips and longer sojourns into their personal and professional futures. I looked at the formal study and cultural exchanges that already abound in the DC region, a nation’s capital replete with opportunity though bereft of kindness, somedays.
Many artist retreats around the world informed me (formal and informal, past and present) along with my own road trips and self-directed residencies in the US, South Africa, New Zealand, and Australia.
I read a lot about Depression-era housing, when the only way to keep ownership was to share space. I stood over the stove top, making a new soup of my assets. Boiling an old carcass down to the nourishing bone.
It turns out that commodifying the obvious parts of the experience (without sense for the ineffable) reverses certain parts of the original value exchange. In today’s shared economy, instead of humble and curious guests, we’re often greedy jerks with high expectations of our anonymous hosts. As hosts, we can accidentally trade in the facsimile of experience. The super-powered subscription models are largely unaware of the babies they dumped out of the bathwater. There is also a need to be entirely inefficient with oneself and others.
I can hear you worrying about me. Attachment, enmeshment, boundaries, and bad actors. Dollars are crisp curators of fair value. Why blur the lines? When I moved into the dank basement of my own home, I left the full upstairs to the retreat. For me, it was more privacy and a separate bathroom. A family member called with real concern. What was I losing in my quality of life? What amount of self-effacement is too much? She knew her line, and I had crossed it.
I have gained in life by being this way. In Liz Lerman’s time, the Dance Exchange had a prompt, What are you in praise of? It is calming to me as a secular Buddhist to rest my praiseful gaze outside myself. I walk through the world appreciatively, not because I deny suffering or my own self-worth. Rather, I smile in our shared trials and triumphs, only half-knowing the tug of my own. We all have something undiscovered.
Latent value is a secret stash in the economy of favors. Having listened over time, we know a friend’s need better than our own. We are studied in how to caringly deliver in the right way. We can arrive at a precise moment previously unknown and help put the dots together again.
So it was with the retreat, where every engagement began in potent mystery about our short time together. What would a ‘love first, ask questions’ approach beget? What value would I find in it for me, now and so many years later?
Well, I kept my house in the midst of a global market meltdown. I wrote a lot, much of it still in the drawer. Cats died, new ones arrived. I came to the now-obvious conclusion that animals make humans better. It was the Washington Writers with Cats Retreat, if I’m honest.
I studied creative practice intensely – improving my own, supporting others, reading about it, teaching, coaching, and toiling in community dilemmas.
Cooking and eating among friends has to be the greatest gift. The smells, sounds, tastes of all those worlds mingling – nothing I could have imagined and a bank of memories I linger in still.
Yes, I now see how friendly favors were the pond drops that rippled out. I owned the house, only a small part of all that is ours to keep.
It’s a Pop Song
Up a gravelly trail on North Mountain, headed toward an elevation rise and a muscle challenge suited to me. My breath and footfall are a cadence, and just below it, the sound of the gritty sand.
It is like an instrument. A razz to a tambourine or a rainstick, alongside reliable percussion. The beat and brawn of my own song under my shoes.
I now know that I write in peculiar places. Moments in nature offer up melody or meaning that inspire me. A happy scaffolding to perch my words and practice a tune.
After a blissful first week at a new job, my imagination went wild on the possibilities ahead. In a land of ancient regenerative power, we would find our way again. This time, it was mine to lead a little.
Slide sets, yawn. Conference talk, not you. Story hour, quite a drag these days. I had been invited to an improv night, and to serve as a guest judge at a Western art show. Both met my creative criteria. I had dreams of being alive in the bureaucracy; of living my artful life even (especially!) in a largely administrative role.
Vistas opened in every direction as I slowly climbed. A simple set of lyrics arose.
It’s a pop song, and we all get along…
It went like that for the miles ahead, timing my heartbeat and breathing to the timbres in my limbs. Moving my arms and torso inside the emotion of words; building out gestures and lyrical phrases on the sandy path, suddenly a dance, too.
The invitation into the moment is unmistakable. Could I write a global jingle to save our sacred center right here on a desert path? The joy answered for me. Am doing, already.
You know how strategy tingles? I listen, look, linger, learn. I live with the insufferable ambiguities of not knowing. Eventually, I see a pattern. A story emerges, or a sensed opportunity. I call it catnip, a mild intoxicant that makes you purr, roll around, and count your lives left.
I wrote the lyric and lost the job. Two years later, still no replacement, and I can karaoke. Many more hills ahead. Music (not money) is the maker of memories. Mine are fine for me, and harmony is for us to embody. There is a root song and we can all sing our own.
[Lyrics just as they came out on the mountain]
A new way to read dance, walk it out, talk it out here. Angela is right, we all need to move more.
Yes the metaphor is meta-verse, but let’s still fight about form and first at the junction, the new menu for Senem, and then this, this is what we have in common.
It’s our bond, our problems. Give us this grace for grounding, give us some pace for founding a new nation every day in every way and in every matter make it be.
Infinite possibility charges uphill, picks her way down, ginger toed, knowing woes and occasional wonder like thunder out here, that smell.
Then fuck yeah, there’s a pop song, and we do get along. And we. And we sing as we-we mourn.
Yeah, then there’s a pop song. And we find a way home. And we all get along. Cause that’s a pop song it’s a pop song.
I took it to heart and I took it on a walk. I say Creative Aging like I’m not up, Ha, keep your heads kids, we gotta get lit, worry hurry cause you’ll have a bit. Cause is a pop song.
Walk ahead, wind in my face and over my shoulder, rolling the boulders like I swear and I told you. Table Mesa to my left, pin turn to the right. I can do this all night, and it ain’t even noon.
Kankō, salt lake sightseeing, you call me. Nick back on Highland, imma let you be. TicTac you in my life so far and so forward.
Someone called and I returned it, I took the book hell, yes, I burned, now I’m here and I def earned it, so maybe Valleys are for us to look up.
Yes friends, we all make the net ends that all-us live in, and at least one of us can can-can.
Remember us together through Heathers, and really fucking shitty weather. Whatever, I’m in to cause a pop song, so we all get along.